《Look What You Made Me Do》是美國創作型女歌手泰勒·斯威夫特錄唱的一首流行舞曲，。下面是小編整理的《Look What You Made Me Do》歌詞，快來看看吧。
《Look What You Made Me Do》歌詞
作曲 : Taylor Swift/Jack Antonoff/Richard Fairbrass/Fred Fairbrass/Rob Manzoli
作詞 : Taylor Swift/Jack Antonoff/Richard Fairbrass/Fred Fairbrass/Rob Manzoli
I dont like your little games
你那點伎倆還是別拿出來了
Dont like your tilted stage
你那浮動舞臺效果也遜爆了
The role you made me play
你讓我扮演小丑的角色
Of the fool, no, I dont like you
愚蠢至極的角色，不，我真的不喜歡你
I dont like your perfect crime
我不喜歡你自導自演的鬧劇
How you laugh when you lie
也不喜歡你笑里藏刀的嘴臉
You said the gun was mine
你先發制人，咬定是我先惹的你
Isnt cool, no, I dont like you (oh!)
想顛倒黑白？不，我嗤之以鼻
But I got smarter, I got harder in the nick of time
但我懂得適時收手全身而退，待時機成熟重奪王座
Honey, I rose up from the dead, I do it all the time
親愛的，我向來如此，浴火重生
I’ve got a list of names and yours is in red, underlined
我手里有一長串黑名單，恭喜你被我劃了紅線
I check it once, then I check it twice, oh!
我翻了翻你的名字，又再三確認
Ohh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們讓我如何回應
Ohh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們讓我如何回應
I dont like your kingdom keys
我不屑你們手握的獎杯
They once belonged to me
因為那些本屬于我
You ask me for a place to sleep
你向我祈求一個容身之所
Locked me out and threw a feast (what?)
卻把我反鎖在門外，自己享用饕餮大餐(真是看錯你了!)
The world moves on, another day, another drama, drama
地球依然旋轉，每天上演著不同的戲碼
But not for me, not for me, all I think about is karma
但這不關我事，不關我事，我只能說惡有惡報
And then the world moves on but one things for sure
地球還是會轉，我也始終確信
Maybe I got mine, but youll all get yours
風水輪流轉，善惡終有報
But I got smarter, I got harder in the nick of time
但我懂得適時收手全身而退，待時機成熟重奪王座
Honey, I rose up from the dead, I do it all the time
親愛的，我向來如此，浴火重生
I’ve got a list of names and yours is in red, underlined
我手里有一長串黑名單，恭喜你被我劃了紅線
I check it once, then I check it twice, oh!
我翻了翻你的名字，又再三確認
Ohh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Ohh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們讓我如何回應
I dont trust nobody and nobody trusts me
我不相信任何人，也不奢望別人相信我
Ill be the actress starring in your bad dreams
我會做女主人公，在你的噩夢中纏著你
I dont trust nobody and nobody trusts me
我不相信任何人，也不奢望別人相信我
Ill be the actress starring in your bad dreams
我會做女主人公，在你的噩夢中纏著你
I dont trust nobody and nobody trusts me
我不相信任何人，也不奢望別人相信我
Ill be the actress starring in your bad dreams
我會做女主人公，在你的噩夢中纏著你
I dont trust nobody and nobody trusts me
我不相信任何人，也不奢望別人相信我
Ill be the actress starring in your bad dreams
我會做女主人公，在你的噩夢中纏著你
(Look what you made me do)
瞧瞧你們讓我如何回應
(Look what you made me do)
瞧瞧你們讓我如何回應
”I’m sorry, the old Taylor cant come to the phone right now.
對不起，您呼叫的泰勒已停機，請不要再撥。”
”Why?”
“為什么?”
”Oh, cause shes dead!" (ohh!)
“噢，因為原來的泰勒已經死了!”
Ooh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們讓我如何回應
Ooh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們讓我如何回應
Ooh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們讓我如何回應
Ooh, look what you made me do
噢，瞧瞧你們都讓我做了些什么
Look what you made me do
瞧瞧你們都讓我做了些什么
Look what you just made me do
瞧瞧你們讓我如何回應
Look what you just made me do
瞧瞧你們讓我如何回應
創作背景
《Look What You Made Me Do》是在一首詩詞的基礎上延續完成的，泰勒·斯威夫特在詩中寫入了自己的一些感受。歌詞的部分靈感來源于奇幻電視劇《權力的游戲》，劇中的艾莉亞·史塔克有一份“殺人名單”，而泰勒·斯威夫特則將這一點引用到歌曲中，就寫出了“我有一份名單，而你的名字則用紅色下劃線標注”這句歌詞。2017年8月，泰勒·斯威夫特在征得英國樂隊Right Said Fred的同意后，采樣了他們的歌曲《Im Too Sexy》，將該歌曲嫁接到《Look What You Made Me Do》的上面。
歌曲鑒賞
《Look What You Made Me Do》有著暗黑格調，全曲的副歌部分通過口語演繹，以及標題短句組成，逐漸變化后，伴隨著跳動的低音節奏一遍又一遍的重復。在歌曲中，泰勒·斯威夫特對于種種詆毀和流言，都直白地懟了回去，歌詞內容懟遍了前男友和宿敵，甚至包括曾經的自己。此外，該歌曲也是泰勒·斯威夫特對流行音樂的延續，同時又繼承了具有報復傾向的《Bad Blood》，它不似《Welcome to New York》《Shake It Off》那般夢幻、樂觀，而是更傾向于噩夢般的復仇美學。
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